In February 2005, Baylor University English professor Robert Darden penned an essay for The New York Times op-ed section entitled "Gospel's Got the Blues." In this essay, Darden noted that although gospel music has enduring popularity, a number of early gospel recordings are at risk of disappearing. This editorial inspired philanthropist Charles M. Royce to donate funds to the university to launch the Black Gospel Music Restoration Project. Over the past several years, the project has digitized thousands of early gospel recordings. In 2016, the Smithsonian's National Museum of African-American History and Culture featured a number of items from the Black Gospel Music Restoration Project in their Musical Crossroads exhibit. Gospel music fans can also listen to these recordings on the project's homepage. The collection includes a number of recordings dating back to the 1950s and 1960s, including songs by C.L. Franklin, Mahalia Jackson, and the Staple Singers. In the Publicly Accessible Audio section, visitors can browse these recordings by artist, date, publisher/record label, or original format (e.g., 33 \0x2153 rpm, 45 rpm, etc.).
(no comments available yet for this resource)